The girl, dressed in the same way, lies on the bed. She lies on her stomach, but turning slightly, so that one hip is higher than the other. Face zarylyas in podyshky, sprinkled with curly hair; The crowded right hand forms a wok of the head of the roam; left stretched to the wall. From the side where the carapace is not worn, through the armpit you can see the arm.

The lower pybashka is again high set, this time, naturally, from behind; On the waist and along the hips the ass is outlined by a black belt. Buttocks are around, ypitanny and very pressing. In their hard forms - captivating dimples, emphasizing the relief of the asymmetry of posture. Between the thighs is a dark tri-shadow shadow. The left leg is bent at the knee and covered with a sheet, while the stent lies along a stretched right.

The picture is taken superbly in such a way as to present the buttocks in the best possible way.

On the third photo the girl is completely nude. Ryki are shackled behind her back, she kneels on black and white floor tiles. This picture is also made super and shows it to the profile. Only the naked girl is visible on the knees on the bare floor and the whip lying next to it.

She bows her head. The hair falls down on both sides of the face, the one that is hidden, and opens the neck, which it bends as much as possible. From under the shoulder you can see the tip of the chest. The loops are shifted and pulled back, the torch is implanted in front, which priests the buttocks and makes them ready for torture.

The wrists are folded behind the back at the level of the waist with the help of a thin chain of glowing metal. The same chain binds the ankles between them. The scourge lies on the tiles not far from the little steps, heeled to the top. This is a braided leather whip, like those used for dogs. One end is thin and flexible, but it is made firmer and thicker to the part that is compressed in the tube; here the whip almost does not bend and forms a very short pykoyatka of its kind. An immobile whip lies on the floor in the shape of the Latin C letter, whose thin tips are bent in opposite directions.

The girl is still naked and kneels, this time she is wed to bed. Back view. Ankles tightly closed and skidded. One step lies on the other, which causes the knees to be spread wide. However, the distance between the two females, which on both sides of the blond head is at the same height, is even greater. Shoulders turned, elbows bend forward. The wrists of the same metal chain are attached to the ends of the upper lace of the black grid. The body and the thighs are placed exactly at the level, without the slightest bend in the hips. However, the whole body is somewhat shifted to the side as a result of a posture. The head is inclined to the right and almost touches the shoulder.

On the buttocks are clearly visible stripes, crossing under different eyes of the village. They are more or less blind depending on the strength of the lash. This snapshot of little Anne, kneeling and pinned to her bed in a very tedious posture, looks even more troubling thanks to the awesome traces left by her body that she has been exposed to.

Naked girl tied to a stone column with a thick rope. She stands with her legs apart and her knees raised. Kind of forward. In the eyes - black bandage. Mouth open in a cry or simply bruised by severe pain. Ankle diametrically opposite friends are attached to the base of the column. Thus, the legs are very wide, and the knees are almost not folded. The plumes are raised up and pulled back so that they are visible only up to the elbow. Obviously, the wrists are tied behind the pillar. Revolutions are deeply embedded in the body. One is hidden under the right armpit and rises along the side of the body from the top of the shoulder. Others wrap around the ankles and ankles, and others wrap their legs higher and lower than the knees, which are tightly attached to the stone of the column in this way and simultaneously maximally erected.

On a pinched body, the dislocated posture of which clearly indicates attempts to break out of the legs is two deep wounds from which blood is seeping.One stretches from the tip of the group to the armpit, not covered by the rope. The blood runs down along the entire length with a multitude of smaller and more bloody pycheyk, which are joined together in order to express themselves again and be divided into the hips and abdomen. They reach the bottom and flow in a dry stream along the groin into pubic hair.

The second wound protects the body from the opposite side. She strikes the groin immediately over the hill of Venus, walks along the abdomen and continues on the inside of the thigh. From here the blood flows down the whole thigh until it is stopped by a rope tightening the legs over the knee. A moment's blood hesitates, then to drip right on the white tiles of the floor, where the whole furlet has already gathered.

This photograph, so captivating in its peril, despite the exaggerated romance, could only be obtained with a combined survey. Two wounds and bloody blood were painted on the tender body of little Anne with red paint. But it was done so excellently that anyone could be mistaken, and besides, distorted posture, which took the victim.

The distribution of the blood over the body was performed so skillfully and there was such a sensation of movement of a single stream that the thought came about the retouching of the photo. However, the harmonious forms of the body in no way were disrupted by a pose that, on the contrary, seemed to make them play in a special way.

The last photo was the result of a similar arrangement. The worn out body of the girl lay lifeless on the black-and-white floor tiles. Her only dress and this time was a blindfold.

She lay on the right side of the body, half the torso, causing the face to look at the sky and at the same time into the lens. The right pyka was stretched along the body, while the left, curved, lay on the head, pinning the ear, because of which the fluffy armpit and the neck was very clearly visible.

The legs were bent, right slightly, the left - much larger, and the knee here turned out to be maximally raised. The picture was taken in such a way that the internal bend of the right thigh, buttocks, the lower part of the Venera hill and the entire area of ​​soft folds fell into the light. The blood, which began from the rasseline between the buttocks and the tight stitching run down the bottom of the thigh, from where it flowed onto the floor tiles, should have clearly indicated that the girl had prodded to kill or something in this genus.

The blood flowed out of the half open mouth and, falling across the cheek with a sticky strip, flowed to the floor. Despite this, her face was radiant with serenity and it seemed like it wasn’t happy. So I wanted to believe that my lips are about to smile. I noticed that this picture was not taken on the same day as all the other or, at least, some of them. The paint from the chest could have been washed away after the last shootings, but there were no signs of lash on the back, traces that do not disappear so quickly ... Maybe the pictures were taken in a different sequence? Or were these streaking bands on the skin just plain painted?

I was ready to ask Claire about this, when, looking back, I saw y in her another photo, which she extracted from the folder, although I thought that the series had already ended. She passed me a picture. And I also immediately realized that he did not look like the others. First of all, from the others it was distinguished by an invasion, but not only. Kpai photography interrupted body, so far represented the full growth. Yes, and the scene itself was already not a majestic gothic cathedral, but the very same living room in which we were sitting.

The woman was sitting in one of the little chars: the hem of the combination is raised to the middle of the abdomen, the pyka caresses the whisper. Because of the folds of the combination, only bare parts could be clearly seen: pyky, maces, abdomen, and extended thighs. The legs below the knees, as well as the head, did not get into the lens. In the gaping hole between the interlocks, the instructive and middle fingers of the left pyky draw off one of the huge lips, while both the thumb and little finger of the right perform the same tasks from the opposite side. Ring finger on the same pyky bend; spectacular ... Read more →